User Tools

Site Tools


postmedia_theories

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision
Previous revision
postmedia_theories [2017/12/13 14:29]
milos-vojtechovsky
postmedia_theories [2018/01/08 12:40] (current)
milos-vojtechovsky
Line 10: Line 10:
  
 {{:​postdigital_aesthetics_cover.jpg?​200|}} {{:​postdigital_aesthetics_cover.jpg?​200|}}
- 
- 
- 
- 
  
 "​post-media"​ nebo "​post-digital"​ ** "​post-media"​ nebo "​post-digital"​ **
  
-1.co znamená slovo //​post-media//,​ nebo //​postgitiální umění//?+**otázky:​**
  
 +1.co znamená slovo post-media
  
-2.jaký je vztah k "​post-internetu"​?+nebo postdigitální umění?
  
 +2.jaký je vztah post digitální k termínu "​post-internet"?​
  
  
 +text: Florian Cramer, “What Is ‘Post-digital’?​”
 +http://​www.aprja.net/​what-is-post-digital/​
  
  
- +íklady:
-íklad:+
  
 **gene kogan** **gene kogan**
- 
  
 [[http://​genekogan.com/​works/​neural-synth/​]] [[http://​genekogan.com/​works/​neural-synth/​]]
- 
- 
- 
  
 přehledná oborová literatura k dějinám nových technologií:​ přehledná oborová literatura k dějinám nových technologií:​
Line 60: Line 55:
 Domenico Quaranta: Beyond New Media Art, online free download http://​issuu.com/​linkeditions/​docs/​domenico_quaranta_beyond_new_media_art Domenico Quaranta: Beyond New Media Art, online free download http://​issuu.com/​linkeditions/​docs/​domenico_quaranta_beyond_new_media_art
  
 +Art Basel Conversation with Bourriaud, Weibel, Grey.2013
 +[[https://​youtu.be/​9p9VP1r2vc4]]
  
 +Plants-Androids-and-Operators-A-Post-Media-Handbook
  
-Art Basel Conversation with Bourriaud, Weibel, Grey.2013, ​[2] +[[http://​www.metamute.org/​sites/​www.metamute.org/​files/​Plants-Androids-and-Operators-A-Post-Media-Handbook-9781906496968.pdf]]
-[3] +
- +
-Plants-Androids-and-Operators-A-Post-Media-Handbook ​download +
-[[4]]+
  
 Post-digital,​ once understood as a critical reflection of “digital” aesthetic immaterialism,​ now describes the messy and paradoxical condition of art and media after digital technology revolutions. “Post-digital” neither recognizes the distinction between “old” and “new” media, nor ideological affirmation of the one or the other. It merges “old” and “new”, often applying network cultural experimentation to analog technologies which it re-investigates and re-uses. It tends to focus on the experiential rather than the conceptual. It looks for DIY agency outside totalitarian innovation ideology, and for networking off big data capitalism. At the same time, it already has become commercialized. Aarhus University and transmediale,​ Berlin, 2013 Post-digital,​ once understood as a critical reflection of “digital” aesthetic immaterialism,​ now describes the messy and paradoxical condition of art and media after digital technology revolutions. “Post-digital” neither recognizes the distinction between “old” and “new” media, nor ideological affirmation of the one or the other. It merges “old” and “new”, often applying network cultural experimentation to analog technologies which it re-investigates and re-uses. It tends to focus on the experiential rather than the conceptual. It looks for DIY agency outside totalitarian innovation ideology, and for networking off big data capitalism. At the same time, it already has become commercialized. Aarhus University and transmediale,​ Berlin, 2013
postmedia_theories.1513171765.txt.gz · Last modified: 2017/12/13 14:29 by milos-vojtechovsky