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kinetic_light_art_and_sculpture [2017/10/04 14:29] milos-vojtechovsky created |
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- | This lecture covers the survey of history of the elements of light and movement in popular and avantgarde art. | + | **dějiny využití světla a pohybu |
+ | evropská avantgarda.** | ||
- | intro: Poslední stroj, BBC | ||
- | The Last Machine is a documentary series about the early period of cinema. It is based on the book "The Last Machine: Early Cinema and the Birth of the Modern World" by Ian Christie. Hosted by Terry Gilliam, it was broadcasted on BBC2 from January to February 1995. | + | otázky: |
- | [1] The Last Machine 1 | + | 1. proč jsou pohyb a světlo ve výtvarém umění důležité pro vznik "nových médií?" |
+ | 2.co je futurismus a kde vznikal | ||
+ | |||
+ | 3.jaký má vztah futurismus pro rozvoj poválečné avantagardy a umění nových médií od padesátých let? | ||
+ | |||
+ | (hlavní představitelé: Marinetti, Balla, Corra, Rusollo) | ||
+ | |||
+ | |||
+ | text: | ||
+ | |||
+ | https://monoskop.org/File:Moholy-Nagy_Laszlo_The_New_Vision_and_Abstract_of_an_Artist.pdf | ||
+ | |||
+ | |||
+ | další umělci: | ||
+ | 1.Marcel Duchamp | ||
+ | |||
+ | 2. Laszlo Moholy Nagy | ||
+ | |||
+ | 3. Zdeněk Pešánek | ||
+ | |||
+ | 4. Gyorgy Kepes | ||
+ | |||
+ | 5. Frank Malina | ||
+ | |||
+ | 6. Otto Piene | ||
Line 21: | Line 45: | ||
7 More resources | 7 More resources | ||
8 More artists | 8 More artists | ||
- | [editovat] Futurism and new media (1901-1919) | ||
- | [editovat] Manifestos of Futurism | + | Futurism a nová média (1901-1919) |
+ | |||
+ | **Manifestos of Futurism** | ||
Futurist Manifesto, F. T. Marinetti, 1909 | Futurist Manifesto, F. T. Marinetti, 1909 | ||
Suddenly we jumped, hearing the mighty noise of the huge double-decker trams that rumbled by outside, ablaze with colored lights... | Suddenly we jumped, hearing the mighty noise of the huge double-decker trams that rumbled by outside, ablaze with colored lights... | ||
- | We intend to sing the love of danger, the habit of energy and fearlessness | + | |
- | Except in struggle, there is no more beauty. No work without an aggressive character can be a masterpiece. Poetry must be conceived as a violent attack on unknown forces, to reduce and prostrate them before man. | + | We intend to sing the love of danger, the habit of energy and fearlessness. Except in struggle, there is no more beauty. No work without an aggressive character can be a masterpiece. Poetry must be conceived as a violent attack on unknown forces, to reduce and prostrate them before man. |
- | We will glorify war—the world’s only hygiene—militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman. | + | |
- | We will destroy the museums, libraries, academies of every kind, will fight moralism, feminism, every opportunistic or utilitarian cowardice. | + | We will glorify war—the world’s only hygiene—militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman. We will destroy the museums, libraries, academies of every kind, will fight moralism, feminism, every opportunistic or utilitarian cowardice. |
Technical Manifesto of Futurist Painting, Umberto Boccioni, Carlo Carrà, Luigi Russolo, Giacomo Balla, Gino Severini, 1910 | Technical Manifesto of Futurist Painting, Umberto Boccioni, Carlo Carrà, Luigi Russolo, Giacomo Balla, Gino Severini, 1910 | ||
+ | |||
That all forms of imitation must be despised, all forms of originality glorified. | That all forms of imitation must be despised, all forms of originality glorified. | ||
+ | |||
That it is essential to rebel against the tyranny of the terms “harmony” and “good taste” as being too elastic expressions, by the help of which it is easy to demolish the works of Rembrandt, of Goya and of Rodin. | That it is essential to rebel against the tyranny of the terms “harmony” and “good taste” as being too elastic expressions, by the help of which it is easy to demolish the works of Rembrandt, of Goya and of Rodin. | ||
+ | |||
That universal dynamism must be rendered in painting as a dynamic sensation. | That universal dynamism must be rendered in painting as a dynamic sensation. | ||
+ | |||
That movement and light destroy the materiality of bodies. | That movement and light destroy the materiality of bodies. | ||
+ | |||
We demand, for ten years, the total suppression of the nude in painting. | We demand, for ten years, the total suppression of the nude in painting. | ||
- | The Art of Noises, Luigi Russolo, 1913 | + | |
- | Musical evolution is paralleled by the multipication of machines | + | **The Art of Noises, Luigi Russolo**, 1913 |
+ | |||
+ | Musical evolution is paralleled by the multiplication of machines | ||
Music developed towards the most complex polyphony and the maximum variety, seeking the most complicated successions of dissonant chords and vaguely preparing the creation of musical noise | Music developed towards the most complex polyphony and the maximum variety, seeking the most complicated successions of dissonant chords and vaguely preparing the creation of musical noise | ||
+ | |||
The variety of noises is infinite. If today, when we have perhaps a thousand different machines, we can distinguish a thousand different noises, tomorrow, as new machines multiply, we will be able to distinguish ten, twenty, or thirty thousand different noises, not merely in a simply imitative way, but to combine them according to our imagination. | The variety of noises is infinite. If today, when we have perhaps a thousand different machines, we can distinguish a thousand different noises, tomorrow, as new machines multiply, we will be able to distinguish ten, twenty, or thirty thousand different noises, not merely in a simply imitative way, but to combine them according to our imagination. | ||
- | [2] Luigi Russolo - Veglio Di Una Città | + | |
- | The Futurist Cinema, F. T. Marinetti, Bruno Corra, Emilio Settimelli, Arnaldo Ginna, Giacomo Balla, Remo Chiti, 1916 | + | [2] **Luigi Russolo - Veglio Di Una Città** |
+ | |||
+ | **The Futurist Cinema, | ||
+ | F. T. Marinetti, | ||
+ | Bruno Corra, | ||
+ | Emilio Settimelli, | ||
+ | Arnaldo Ginna, | ||
+ | Giacomo Balla, | ||
+ | Remo Chiti**, 1916 | ||
Cinematic analogies that use reality directly as one of the two elements of the analogy | Cinematic analogies that use reality directly as one of the two elements of the analogy | ||
- | Cinematic simultaneity and interpenetration of different times and places. We shall project two or three different visual episodes at the same time, one next to the other | + | |
+ | Cinematic simultaneity and interpenetration of different times and places. We shall project two or three different | ||
+ | visual episodes at the same time, one next to the other | ||
Filmed unreal reconstructions of the human body. | Filmed unreal reconstructions of the human body. | ||
+ | |||
On-line resources: http://www.unknown.nu/futurism | On-line resources: http://www.unknown.nu/futurism | ||
[3] | [3] | ||
- | [editovat] Major Works | ||
- | Painting and Sculpture | + | **Major Works** |
- | Giacomo Balla: Dog on Leash (1912) | + | |
- | Giacomo Balla: Girl in the Balcony (1912) | + | **Painting and Sculpture** |
- | Umberto Boccioni: Unique Forms of Continuity in Space (1913) | + | |
- | Giacomo Balla: Study of Materiality of Lights and Speed (1913) | + | //Giacomo Balla: Dog on Leash// (1912) |
- | Umberto Boccioni: States of Mind: The Farewells (1911) | + | |
- | Luigi Russolo: Dynamism of a Car (1912) | + | //Giacomo Balla: Girl in the Balcony// (1912) |
- | Film | + | |
- | Bruno Corra: Abstract Cinema - Chromatic Music (1912) [4] | + | //Umberto Boccioni: Unique Forms of Continuity in Space// (1913) |
+ | |||
+ | //Giacomo Balla: Study of Materiality of Lights and Speed// (1913) | ||
+ | |||
+ | //Umberto Boccioni: States of Mind: The Farewells// (1911) | ||
+ | |||
+ | //Luigi Russolo: Dynamism of a Car// (1912) | ||
+ | |||
+ | **Film** | ||
Arnaldo Ginna, Lucio Venna: Vita futurista (1916) | Arnaldo Ginna, Lucio Venna: Vita futurista (1916) | ||
+ | |||
Anton Giulio Bragaglia: Thaïs (1917) | Anton Giulio Bragaglia: Thaïs (1917) | ||
Sound and music | Sound and music | ||
+ | |||
Luigi Russolo: Art of noise (1913) [5] | Luigi Russolo: Art of noise (1913) [5] | ||
- | [editovat] Marcel Duchamp (1887–1968): Vision, motion and new forms of art | + | ¨ |
+ | [editovat] **Marcel Duchamp** (1887–1968): Vision, motion and new forms of art | ||
Key concepts: | Key concepts: | ||
+ | |||
Motion and time in painting | Motion and time in painting | ||
+ | |||
Criticism of retinal art | Criticism of retinal art | ||
- | Ready made | + | |
+ | Ready-made | ||
Technology and machinery as a part of artistic language | Technology and machinery as a part of artistic language | ||
+ | |||
Op-art, kinetic objects and film | Op-art, kinetic objects and film | ||
- | Major works | + | |
+ | **Major works** | ||
Nude Descending a Staircase (1st and 2nd version, 1911-12) | Nude Descending a Staircase (1st and 2nd version, 1911-12) | ||
+ | |||
Bottle dryer (1914) | Bottle dryer (1914) | ||
+ | |||
The Large Glass (1915-192) | The Large Glass (1915-192) | ||
+ | |||
Rotoreliefs (1926) | Rotoreliefs (1926) | ||
+ | |||
Anemic cinema (1926) Rrose Sélavy | Anemic cinema (1926) Rrose Sélavy | ||
+ | |||
[6] | [6] | ||
+ | |||
[7] | [7] | ||
+ | |||
Reading | Reading | ||
- | Calvin Tomkins - Duchamp: A Biography (1996) | + | |
- | Stanislav Ulver - Západní filmová avantgarda (1991) | + | //Calvin Tomkins - Duchamp: A Biography// (1996) |
+ | |||
+ | //Stanislav Ulver - Západní filmová avant-garde// (1991) | ||
On-line resources [8] dada-companion.com | On-line resources [8] dada-companion.com | ||
- | [editovat] Bauhaus (1919-1933): Art, craft and technology | + | |
+ | Bauhaus (1919-1933): Art, craft and technology | ||
School of art, craft and technology founded by Walter Gropius. | School of art, craft and technology founded by Walter Gropius. | ||
Weimar, Dessau (1919-1933) | Weimar, Dessau (1919-1933) | ||
+ | |||
Utopian craft guild combining architecture, sculpture, and painting into a single creative expression | Utopian craft guild combining architecture, sculpture, and painting into a single creative expression | ||
- | Important figures: Wassily Kandinsky, Josef Albers, Paul Klee, Lazslo Moholy-Nagy | + | Important figures: Wassily Kandinsky, Josef Albers, Paul Klee, Laszlo Moholy-Nagy |
On-line resources [9] | On-line resources [9] | ||
- | [editovat] Ludwig Hirschfeld Mack (1893-1965) | + | |
+ | Ludwig Hirschfeld Mack (1893-1965) | ||
Bauhaus student since 1919 | Bauhaus student since 1919 | ||
+ | |||
Color music, light design, light and colour modulator | Color music, light design, light and colour modulator | ||
+ | |||
Light performances and works with Kurt Schwerdtfeger | Light performances and works with Kurt Schwerdtfeger | ||
+ | |||
Major works | Major works | ||
+ | |||
Farbenlichtspiele (1923) | Farbenlichtspiele (1923) | ||
+ | |||
Optical disc (1924) | Optical disc (1924) | ||
+ | |||
Reading | Reading | ||
On-line resources [10] | On-line resources [10] | ||
- | [editovat] László Moholy-Nagy (1895-1946) | + | |
+ | **László Moholy-Nagy** (1895-1946) | ||
Influence of constructivism | Influence of constructivism | ||
- | Rejection of cubism and tradional art | + | |
+ | Rejection of cubism and traditional art | ||
Bauhaus teacher (1923-1928) | Bauhaus teacher (1923-1928) | ||
+ | |||
Telephone paintings (1922) | Telephone paintings (1922) | ||
+ | |||
Photography as a new way of seeing the world that the human eye could not | Photography as a new way of seeing the world that the human eye could not | ||
+ | |||
Photograms | Photograms | ||
+ | |||
Machinery and beauty | Machinery and beauty | ||
- | USA since 1937, Institute od design | + | |
+ | USA since 1937, Institute of Design in Chicago, New Bauhaus | ||
Major works | Major works | ||
+ | |||
Light space modulator (1925-30) [11] | Light space modulator (1925-30) [11] | ||
- | https://youtu.be/AMODHy0hauo | + | |
+ | [[https://youtu.be/AMODHy0hauo]] | ||
Lightplay – Black, White, Gray (1932) [12] | Lightplay – Black, White, Gray (1932) [12] | ||
- | https://youtu.be/e0x730uP2yI?list=RDe0x730uP2yI | + | [[https://youtu.be/e0x730uP2yI?list=RDe0x730uP2yI |
+ | ]] | ||
Reading | Reading | ||
- | Laszlo Moholy-Nagy Foundation [13] | + | Laszlo Moholy-Nagy Foundation |
Stanislav Ulver - Západní filmová avantgarda (1991) | Stanislav Ulver - Západní filmová avantgarda (1991) | ||
Laszlo Moholy-Nagy at Monoskop [14] | Laszlo Moholy-Nagy at Monoskop [14] | ||
Vision in Motion | Vision in Motion | ||
- | [editovat] Zdeněk Pešánek (1896-1965) | + | |
+ | **Zdeněk Pešánek** (1896-1965) | ||
Born in Kutná Hora, Central Bohemia | Born in Kutná Hora, Central Bohemia | ||
+ | |||
Studied sculpture and architecture with Jan Štursa | Studied sculpture and architecture with Jan Štursa | ||
- | Avantgarde after war, art, science and machinery as utopy for a new society | + | |
+ | Avantgarde after war, art, science and machinery as utopia for a new society | ||
Monumental forms, contradiction of modernity and tradition | Monumental forms, contradiction of modernity and tradition | ||
+ | |||
Light and kinetic sculpture - light as matter | Light and kinetic sculpture - light as matter | ||
+ | |||
City as artefact, light urbanism (Devětsil manifesto of poetism, 1922) | City as artefact, light urbanism (Devětsil manifesto of poetism, 1922) | ||
- | First use of neon and fiberglass in sculpture in 1920s | + | |
- | Light advertisment since mid 20s | + | First use of neon and fibreglass in sculpture in 1920s |
+ | |||
+ | Light advertisement since mid. 20s | ||
Rejection of films and Kinetism (1920s, 1940) | Rejection of films and Kinetism (1920s, 1940) | ||
+ | |||
First exhibition, UMPRUM, 1936 | First exhibition, UMPRUM, 1936 | ||
+ | |||
World Exhibition in Paris, 1937 | World Exhibition in Paris, 1937 | ||
+ | |||
Major works | Major works | ||
- | Edison transfomer station, Jeruzalémská st. (1926-29) | + | |
- | Light, neon and sculptures as advertisments, mid 30s | + | Edison transformer station, Jeruzalémská st. (1926-29) |
+ | |||
+ | Light, neon and sculptures as advertisements, mid 30s | ||
100 years of electricity (1936) | 100 years of electricity (1936) | ||
Spa Fountain (1936) | Spa Fountain (1936) | ||
- | Light sculptures, male and female torsos (1930s) | + | Light sculptures, male and female torsos (the 1930s) |
Sculpture for the main entrance of the Electric Company of the City of Prague (1936) | Sculpture for the main entrance of the Electric Company of the City of Prague (1936) | ||
+ | |||
Reading and resources | Reading and resources | ||
+ | |||
Light penetrates the darkness (Světlo proniká tmou, Otakar Vávra, 1931) [15] | Light penetrates the darkness (Světlo proniká tmou, Otakar Vávra, 1931) [15] | ||
+ | |||
Zdeněk Pešánek: Kinetismus (1940) [16] | Zdeněk Pešánek: Kinetismus (1940) [16] | ||
+ | |||
Zdeněk Pešánek: Kinetismus [17] | Zdeněk Pešánek: Kinetismus [17] | ||
+ | |||
On-line biography and bibliography at Monoskop [18] | On-line biography and bibliography at Monoskop [18] | ||
- | == Franciszka and Stefan Themerson == (1910–1988) farmacia 1930 | + | **Franciszka and Stefan Themerson** (1910–1988) |
- | * https://youtu.be/nwU1wscVURY | + | Farmacia 1930 |
- | [editovat] Len Lye (1901-1980) | + | * [[https://youtu.be/nwU1wscVURY]] |
+ | |||
+ | **Len Lye** (1901-1980) | ||
Key concepts: | Key concepts: | ||
- | Abstract film and a new visual forms | + | Abstract film and new visual forms |
Hand-painted animation | Hand-painted animation | ||
- | Film and advertisment | + | Film and advertisement |
Optokinetic sculptures | Optokinetic sculptures | ||
Major Works (Sculpture) | Major Works (Sculpture) | ||
Line 165: | Line 286: | ||
Free Radicals (1958) | Free Radicals (1958) | ||
Tusalava [19] | Tusalava [19] | ||
+ | |||
Reading | Reading | ||
Stanislav Ulver - Západní filmová avantgarda (1991) | Stanislav Ulver - Západní filmová avantgarda (1991) | ||
On-line resources [20] | On-line resources [20] | ||
- | [editovat] Frank Malina (1912-1981) | ||
+ | [editovat] **Frank Malina** (1912-1981) | ||
Lumidine system | Lumidine system | ||
+ | |||
Born in Texas, lived in Bohemia app 1920-30 | Born in Texas, lived in Bohemia app 1920-30 | ||
Scientist-artist-editor-humanist | Scientist-artist-editor-humanist | ||
Line 179: | Line 302: | ||
Lunar International Laboratory | Lunar International Laboratory | ||
Founder-Editor of Leonardo Journal | Founder-Editor of Leonardo Journal | ||
- | New Landscapes, science, technology and extraterestial space | + | New Landscapes, science, technology and extraterrestial space |
Visual art since 1953 | Visual art since 1953 | ||
Kinetic light paintings and objects | Kinetic light paintings and objects | ||
+ | |||
Lumidyne System - electric light shining through painted moving and static elements, sometimes with the addition of a diffusing screen (1956) | Lumidyne System - electric light shining through painted moving and static elements, sometimes with the addition of a diffusing screen (1956) | ||
+ | |||
Reflectodyne System - electric light reflected onto moving mirrors or other surfaces reflecting light | Reflectodyne System - electric light reflected onto moving mirrors or other surfaces reflecting light | ||
Polaridyne System - using the special optical effects produced by light passing through polarizing materials | Polaridyne System - using the special optical effects produced by light passing through polarizing materials | ||
Audio-Kinetic System - light and motion paintings and sculpture activated by varying intensities of sound | Audio-Kinetic System - light and motion paintings and sculpture activated by varying intensities of sound | ||
+ | |||
Major works | Major works | ||
+ | |||
Orbit IV | Orbit IV | ||
+ | |||
Stairways to the Stars | Stairways to the Stars | ||
+ | |||
Polaris | Polaris | ||
+ | |||
Cosmos | Cosmos | ||
+ | |||
Kinetic Column | Kinetic Column | ||
* https://youtu.be/sl2duqEnBbY | * https://youtu.be/sl2duqEnBbY | ||
+ | |||
Resources | Resources | ||
Foundation Langlois [21] | Foundation Langlois [21] | ||
Line 200: | Line 333: | ||
Lightart at ZKM [23] | Lightart at ZKM [23] | ||
Kinetic art at Wikipedia [24] | Kinetic art at Wikipedia [24] | ||
+ | |||
Lazslo Moholy Nagy: Vision as Motion (1946) [25] | Lazslo Moholy Nagy: Vision as Motion (1946) [25] | ||
understandingduchamp.com [26] | understandingduchamp.com [26] | ||
+ | |||
Marcel Duchamp: Anemic Cinema (1926) [27] | Marcel Duchamp: Anemic Cinema (1926) [27] | ||
+ | |||
Marcel Duchamp: Rotary Demisphere, 1925 [28] | Marcel Duchamp: Rotary Demisphere, 1925 [28] | ||
+ | |||
Digital Light, edited by Sean Cubitt, Daniel Palmer and Nathaniel Tkacz | Digital Light, edited by Sean Cubitt, Daniel Palmer and Nathaniel Tkacz | ||
[29] | [29] | ||
- | [editovat] More artists | + | |
+ | |||
+ | More artists | ||
light | light | ||
- | Otto Piene | ||
- | http://www.medienkunstnetz.de/works/lichtballett/ | ||
- | Gyorgy Kepes | + | **Otto Piene** |
+ | [[http://www.medienkunstnetz.de/works/lichtballett/]] | ||
+ | |||
+ | **Gyorgy Kepes** | ||
http://act.mit.edu/people/director/gyorgy-kepes/ | http://act.mit.edu/people/director/gyorgy-kepes/ | ||
- | Nicolas Schoffer | + | |
+ | **Nicolas Schoffer** | ||
Luminodynamic [30] | Luminodynamic [30] | ||
cyberneticzoo.com [31] | cyberneticzoo.com [31] | ||
Resources online: [32][33][34] | Resources online: [32][33][34] | ||
- | Jean Tingueli | + | |
- | Jean Tingueli at ubu.com [35] | + | **Jean Tingueli** |
+ | at ubu.com [35] | ||
http://www.tinguely.ch/en/museum_sammlung/jean_tinguely.html | http://www.tinguely.ch/en/museum_sammlung/jean_tinguely.html | ||
http://www.nytimes.com/video/2011/04/06/arts/design/100000000761945/tinguely.html | http://www.nytimes.com/video/2011/04/06/arts/design/100000000761945/tinguely.html | ||
http://vimeo.com/16227173 | http://vimeo.com/16227173 | ||
- | Robert Irwin | + | |
+ | **Robert Irwin** | ||
http://www2.iim.cz/wiki/index.php/Robert_Irwin | http://www2.iim.cz/wiki/index.php/Robert_Irwin | ||
- | Dan Flavin | + | |
+ | **Dan Flavin** | ||
http://www.diaart.org/sites/main/danflavinartinstitute | http://www.diaart.org/sites/main/danflavinartinstitute | ||
movement | movement | ||
- | Jesús Rafael Soto | + | **Jesús Rafael Soto** |
http://en.wikipedia.org/wiki/Jesús_Rafael_Soto | http://en.wikipedia.org/wiki/Jesús_Rafael_Soto | ||
http://www.youtube.com/watch?v=FCVtcjvvTxs | http://www.youtube.com/watch?v=FCVtcjvvTxs | ||
- | George Rickey | + | |
+ | **George Rickey** | ||
http://en.wikipedia.org/wiki/George_Rickey | http://en.wikipedia.org/wiki/George_Rickey | ||
http://www.youtube.com/watch?v=mmqwrftZgTQ | http://www.youtube.com/watch?v=mmqwrftZgTQ | ||
http://www.youtube.com/watch?v=hKsbxoLtveU | http://www.youtube.com/watch?v=hKsbxoLtveU | ||
- | Joe Gilbertson | + | |
+ | **Joe Gilbertson** | ||
http://jasonkrugman.wordpress.com/2009/01/20/kinetic-sculpture-by-joe-gilbertson | http://jasonkrugman.wordpress.com/2009/01/20/kinetic-sculpture-by-joe-gilbertson | ||
- | Geoffrey Smedley | + | |
+ | **Geoffrey Smedley** | ||
http://www.geoffreysmedley.com/#!media/c13co | http://www.geoffreysmedley.com/#!media/c13co | ||
- | Roman Signer | + | |
+ | **Roman Signer** | ||
http://www.romansigner.ch | http://www.romansigner.ch | ||
http://vimeo.com/32083693 | http://vimeo.com/32083693 | ||
- | Paul Friedlander | + | |
+ | **Paul Friedlander** | ||
https://youtu.be/hTdZnZaJjoA | https://youtu.be/hTdZnZaJjoA | ||
- | Theo Jansen | + | ** |
+ | Theo Jansen** | ||
http://en.wikipedia.org/wiki/Theo_Jansen | http://en.wikipedia.org/wiki/Theo_Jansen | ||
http://www.ted.com/talks/theo_jansen_creates_new_creatures.html | http://www.ted.com/talks/theo_jansen_creates_new_creatures.html | ||
- | Zimoun | + | |
+ | **Zimoun** | ||
http://www.zimoun.ch | http://www.zimoun.ch | ||
- | Olafur Eliasson | + | |
+ | **Olafur Eliasson** | ||
http://www.olafureliasson.net/ | http://www.olafureliasson.net/ | ||
- | Pe Lang | + | |
+ | **Pe Lang** | ||
http://www.pelang.ch/works.html | http://www.pelang.ch/works.html | ||
- | Atilla Csorgo | + | |
+ | **Atilla Csorgo** | ||
http://www.c3.hu/~acsorgo/ | http://www.c3.hu/~acsorgo/ | ||
http://video.mit.edu/watch/attila-csorgo-turning-out-the-space-7801 | http://video.mit.edu/watch/attila-csorgo-turning-out-the-space-7801 | ||
- | David Bowen | + | |
+ | **David Bowen** | ||
http://www.dwbowen.com | http://www.dwbowen.com | ||