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introduction [2019/02/13 14:43]
milos-vojtechovsky
introduction [2020/02/19 13:49] (current)
eric-rosenzveig
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-overview+**overview**
  
-old and or new media+non-canonical approach
  
-political geography of new/electronic ​media+old and/or new media - media archeology
  
-west and east+political geography of new/​electronic media - west and east 
 + 
 +processual, kinetic, time-based, multiple media, eventually often involving computation,​ margins of contemporary art or film or...
  
-case study 
  
 [[Gary Hill]] [[Gary Hill]]
Line 25: Line 26:
 http://​garyhill.com/​work/​video/​around-about.html http://​garyhill.com/​work/​video/​around-about.html
  
-**The Psychedelic Gedankenexperiment,​ 2011**+3.**The Psychedelic Gedankenexperiment,​ 2011**
 Two projection screens, two HD video projectors, eight specially fabricated foam chairs, four text panels (each 40 h x 71 w inches), four amplified speakers on tripods, 3D glasses, acoustic foam/​plywood divider, one computer with two channels of Quicktime playback synchronized by MXP/MSP (2D and 3D HD color video; both with stereo sound) Two projection screens, two HD video projectors, eight specially fabricated foam chairs, four text panels (each 40 h x 71 w inches), four amplified speakers on tripods, 3D glasses, acoustic foam/​plywood divider, one computer with two channels of Quicktime playback synchronized by MXP/MSP (2D and 3D HD color video; both with stereo sound)
  
Line 33: Line 34:
 **Steina** **Steina**
 https://​youtu.be/​OlW1a0PcQZU https://​youtu.be/​OlW1a0PcQZU
-steina ​and woody vasulka+Steina ​and Woody Vasulka
 Selected Treecuts is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of contrasting representations of reality. The methodology of the tape is simple: a zoom lens moves slowly in and out on a group of trees, alternating between digitized and camera-generated,​ "​real"​ images. The movement in the tape is produced by the automated zoom lens and rotating prism; the images switch rhythmically between camera images and digital images held briefly in computer memory. The contrast between the "​real"​ camera images of trees and the frozen, digital computer images forms an essay in motion and stillness, the organic and the synthetic, tracing a trajectory from the photographic to the electronic."​ Selected Treecuts is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition of contrasting representations of reality. The methodology of the tape is simple: a zoom lens moves slowly in and out on a group of trees, alternating between digitized and camera-generated,​ "​real"​ images. The movement in the tape is produced by the automated zoom lens and rotating prism; the images switch rhythmically between camera images and digital images held briefly in computer memory. The contrast between the "​real"​ camera images of trees and the frozen, digital computer images forms an essay in motion and stillness, the organic and the synthetic, tracing a trajectory from the photographic to the electronic."​
  
-SteinaLilith, 1987+Steina 
 +Lilith, 1987, Performed Media
 https://​dai.ly/​x7rbf4 https://​dai.ly/​x7rbf4
  
  
-**Richard Mosse**The Impossible Image +**Lynn Hershman Leeson**  
-Mixed media installation, 2011+Lorna, 1983, Interactive Installation. 
 +https://​www.lynnhershman.com/​lorna/​ 
 + 
 + 
 +**Richard Mosse** 
 +The Impossible Image, 2011, 6 channel film/video & audio installation.
 https://​vimeo.com/​67115692 https://​vimeo.com/​67115692
  
  
-**Finding Fanon 2** +**On the margins of art** 
-Larry Achiampong and David Blandy, 2017+ 
 +**Bellingcat** an example https://​www.bellingcat.com/​ 
 + 
  
-https://​vimeo.com/​138951543 
introduction.1550065389.txt.gz · Last modified: 2019/02/13 14:43 by milos-vojtechovsky